Clip-it-ti-clop, clip-it-ti-clop. The sounds of the city filter through my window. I lift my hands off the keys and exchange a view through the window of the worldww for the window of the world. I stretch, lengthening my body from its desk side curl. My eyes search the grey sky above me, triangle peak and red brick in front of me until they settle on the cobbles below. A smile tugs my mood upward as I spot the source of the noise interrupting my staring contest with the screen. A horse, saddled, with its owner are the only traffic between my building and the next.
The cobbles and the hooves have been here longer than the metal strips placed between them and the ding-ding of the Luas sliding by. The new city resembles these. It has reconstructed the inherited streets so that glass, metal and plastic can whisk us through them fluidly … in a hurry … forgetting to look outside … forgetting to listen. But the windows were not forgotten in construction. They have been built into our modernity. The sounds can still seep through them. Our legs can still carry us and feet can still bridge the cobblestone gap. And the horse outside, it can still clip-it-ti-clop, clip-it-ti-clop. They can still disrupt and entice me to the window where I give thanks for the sounds of the city.